IASPM@Journal is the peer-reviewed open-access e-journal of the International Association for the Study of Popular Music, IASPM –– its members are invited to register and publish. Click here for a copy of the Open CFP (in several languages) and Style Guide.
Announcements
Special CFP: Popular Music Studies in the Twenty-First Century |
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| IASPM@Journal 3/2 (2012) - Call for Submissions Special Issue Editor: Rupert Till In the current issue of IASPM@Journal , Vol 2/1&2, Philip Tagg assesses what issues need to be addressed in the field, and how they could be explored. We are now seeking responses that address the issues raised by this paper. |
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| Posted: 2012-03-07 | More... |
Update: State of the Nation: Review(s) of Popular Music Studies |
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| IASPM@Journal Vol 2/1&2 - Published: 29 February, 2012 Special Issue Editor Martha Tupinambá de Ulhôa |
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| Posted: 2012-03-02 | More... |
Welcome: Book Reviews – etc |
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| IASPM@Journal seeks expressions of interest from potential book reviewers. We will soon have some exciting new titles ready to send out, so if you are interested in reviewing for the journal, please send an e-mail to the Book Reviews Editor, Sarah Baker at: s.baker@griffith.edu.au | |
| Posted: 2012-03-02 | More... |
Welcome: Open CFP – IASPM@Journal |
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| IASPM@Journal is the journal of the International Association for the Study of Popular Music (IASPM), an organization established to promote inquiry, scholarship and analysis in the area of popular music. In addition to Special Issue CFPs, the journal maintains space for ongoing scholarly work; we publish articles, book reviews and PhD abstracts on popular music of any genre, era or geographic location. | |
| Posted: 2012-02-16 | More... |
| More Announcements... |
Vol 2, No 1-2 (2011)
State of the Nation: Review(s) of Popular Music Studies
Special Issue Editor
Dr. Martha Tupinambá de Ulhôa
Editorial Team
Dr. Shane Homan
Dr. Carlo Nardi
Dr. Hillegonda C. Rietveld, Editor
Dr. Geoff Stahl
Dr. Rupert Till
Advisory Editors
Dr. Rebekah Farrugia
Dr. Antti-Ville Kärjä
Assistant Editor
Dr. Elina T. Hytönen
Special Issue Editor
Dr. Martha Tupinambá de Ulhôa
Editorial Team
Dr. Shane Homan
Dr. Carlo Nardi
Dr. Hillegonda C. Rietveld, Editor
Dr. Geoff Stahl
Dr. Rupert Till
Advisory Editors
Dr. Rebekah Farrugia
Dr. Antti-Ville Kärjä
Assistant Editor
Dr. Elina T. Hytönen
Table of Contents
Special Edition
| Editorial Introduction, Volume 2, February 2012 http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.1en |
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| Hillegonda C. Rietveld | 1-2 |
| Caught on the Back Foot: epistemic inertia and visible music http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.2en |
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| Philip Tagg | 3-18 |
| How did popular music come to mean música popular? http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.3en |
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| Laura F. Jordán González, Douglas Kristopher Smith | 19-33 |
| The Introduction of Popular Music Studies to Ghanaian Universities http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.4en |
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| John Collins | 34-44 |
| German-language Popular Music Studies in Germany, Austria and Switzerland http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.5en |
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| Martin Pfleiderer | 45-50 |
| Reflections on Popular Music Studies in Turkey http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.6en |
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| Ali C. Gedik | 51-56 |
Articles
| Del discurso a la performance: la producción de significaciones de nacionalidad en el “jazz argentino” http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.7es |
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| Berenice Maria Corti | 56-64 |
| Ragtime and Anti-Bolshevism http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.8en |
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| Brian Holder | 65-86 |
Branch Reports
| IASPM-US 2011 Report http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.9en |
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| Rebekah Farrugia | 87-88 |
Book Reviews
| Some Liked It Hot - Jazz Women in Film and Television, 1928–1959. By Kristin A. McGee. Middletown, Connecticut: Wesleyan University Press. 2009 http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.11en |
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| Antti-Ville Karja | 89-91 |
| Fado and the place of longing - loss, memory and the city. By Richard Elliott. Farnham, UK: Ashgate. 2010 http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.12en |
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| Ase Ottosson | 92-93 |
| Protest Music in France - Production, Identity and Audiences. By Barbara Lebrun. Farnham, UK: Ashgate. 2009. http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.13en |
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| Catherine Strong | 94-95 |
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