IASPM@Journal

IASPM@Journal is the peer-reviewed open-access e-journal of the International Association for the Study of Popular Music, IASPM –– its members are invited to register and publish. Click here for a copy of the CFP (in several languages) and Style Guide.

Announcements

 

Open CFP: Research Work at IASPM

 
In addition to special issue sections, the journal maintains space for the publication of scholarly and research work by IASPM members. Click here for a copy of the Open CFP (in several languages) and Style Guide.  
Posted: 2013-04-02 More...
 

Call: Reviews of Books, DVDs or Scholarly Websites

 
IASPM@Journal reviews academic publications, research documentaries and online resources in the field of popular music studies. Inquiries: Editor[at]IASPMJournal.net  
Posted: 2012-03-02 More...
 
More Announcements...

Vol 2, No 1-2 (2011)

State of the Nation: Review(s) of Popular Music Studies
Special Issue Editor
Dr. Martha Tupinambá de Ulhôa

Editorial Team
Dr. Shane Homan
Dr. Carlo Nardi
Dr. Hillegonda C. Rietveld, Editor
Dr. Geoff Stahl
Dr. Rupert Till

Advisory Editors
Dr. Rebekah Farrugia
Dr. Antti-Ville Kärjä

Assistant Editor
Dr. Elina T. Hytönen

Table of Contents

Articles - Special Issue

Editorial Introduction, Volume 2, February 2012
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.1en
PDF
Hillegonda C. Rietveld 1-2
Caught on the Back Foot: epistemic inertia and visible music
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.2en
PDF
Philip Tagg 3-18
How did popular music come to mean música popular?
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.3en
PDF
Laura F. Jordán González, Douglas Kristopher Smith 19-33
The Introduction of Popular Music Studies to Ghanaian Universities
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.4en
PDF
John Collins 34-44
German-language Popular Music Studies in Germany, Austria and Switzerland
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.5en
PDF
Martin Pfleiderer 45-50
Reflections on Popular Music Studies in Turkey
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.6en
PDF
Ali C. Gedik 51-56

Articles - Open Section

Del discurso a la performance: la producción de significaciones de nacionalidad en el “jazz argentino”
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.7es
PDF
Berenice Maria Corti 56-64
Ragtime and Anti-Bolshevism
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.8en
PDF
Brian Holder 65-86

IASPM Branch Reports

IASPM-US 2011 Report
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.9en
PDF
Rebekah Farrugia 87-88

Reviews

Some Liked It Hot - Jazz Women in Film and Television, 1928–1959. By Kristin A. McGee. Middletown, Connecticut: Wesleyan University Press. 2009
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.11en
PDF
Antti-Ville Karja 89-91
Fado and the place of longing - loss, memory and the city. By Richard Elliott. Farnham, UK: Ashgate. 2010
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.12en
PDF
Ase Ottosson 92-93
Protest Music in France - Production, Identity and Audiences. By Barbara Lebrun. Farnham, UK: Ashgate. 2009.
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.13en
PDF
Catherine Strong 94-95


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