IASPM@Journal

IASPM@Journal is the peer-reviewed open-access e-journal of the International Association for the Study of Popular Music, IASPM –– its members are invited to register and publish. Click here for a copy of the Open CFP (in several languages) and Style Guide.

Announcements

 

Special CFP: Popular Music Studies in the Twenty-First Century

 
IASPM@Journal 3/2 (2012) - Call for Submissions
Special Issue Editor: Rupert Till

In the current issue of IASPM@Journal , Vol 2/1&2, Philip Tagg assesses what issues need to be addressed in the field, and how they could be explored. We are now seeking responses that address the issues raised by this paper.
 
Posted: 2012-03-07 More...
 

Update: State of the Nation: Review(s) of Popular Music Studies

 
IASPM@Journal Vol 2/1&2 - Published: 29 February, 2012

Special Issue Editor
Martha Tupinambá de Ulhôa
 
Posted: 2012-03-02 More...
 

Welcome: Book Reviews – etc

 
IASPM@Journal seeks expressions of interest from potential book reviewers. We will soon have some exciting new titles ready to send out, so if you are interested in reviewing for the journal, please send an e-mail to the Book Reviews Editor, Sarah Baker at: s.baker@griffith.edu.au  
Posted: 2012-03-02 More...
 

Welcome: Open CFP – IASPM@Journal

 
IASPM@Journal is the journal of the International Association for the Study of Popular Music (IASPM), an organization established to promote inquiry, scholarship and analysis in the area of popular music. In addition to Special Issue CFPs, the journal maintains space for ongoing scholarly work; we publish articles, book reviews and PhD abstracts on popular music of any genre, era or geographic location.  
Posted: 2012-02-16 More...
 
More Announcements...

Vol 2, No 1-2 (2011)

State of the Nation: Review(s) of Popular Music Studies
Special Issue Editor
Dr. Martha Tupinambá de Ulhôa

Editorial Team
Dr. Shane Homan
Dr. Carlo Nardi
Dr. Hillegonda C. Rietveld, Editor
Dr. Geoff Stahl
Dr. Rupert Till

Advisory Editors
Dr. Rebekah Farrugia
Dr. Antti-Ville Kärjä

Assistant Editor
Dr. Elina T. Hytönen

Table of Contents

Special Edition

Editorial Introduction, Volume 2, February 2012
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.1en
PDF
Hillegonda C. Rietveld 1-2
Caught on the Back Foot: epistemic inertia and visible music
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.2en
PDF
Philip Tagg 3-18
How did popular music come to mean música popular?
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.3en
PDF
Laura F. Jordán González, Douglas Kristopher Smith 19-33
The Introduction of Popular Music Studies to Ghanaian Universities
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.4en
PDF
John Collins 34-44
German-language Popular Music Studies in Germany, Austria and Switzerland
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.5en
PDF
Martin Pfleiderer 45-50
Reflections on Popular Music Studies in Turkey
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.6en
PDF
Ali C. Gedik 51-56

Articles

Del discurso a la performance: la producción de significaciones de nacionalidad en el “jazz argentino”
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.7es
PDF
Berenice Maria Corti 56-64
Ragtime and Anti-Bolshevism
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.8en
PDF
Brian Holder 65-86

Branch Reports

IASPM-US 2011 Report
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.9en
PDF
Rebekah Farrugia 87-88

Book Reviews

Some Liked It Hot - Jazz Women in Film and Television, 1928–1959. By Kristin A. McGee. Middletown, Connecticut: Wesleyan University Press. 2009
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.11en
PDF
Antti-Ville Karja 89-91
Fado and the place of longing - loss, memory and the city. By Richard Elliott. Farnham, UK: Ashgate. 2010
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.12en
PDF
Ase Ottosson 92-93
Protest Music in France - Production, Identity and Audiences. By Barbara Lebrun. Farnham, UK: Ashgate. 2009.
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.13en
PDF
Catherine Strong 94-95


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