Introduction: Popular Music Performance

Authors

  • Carlo Nardi Rhodes University
  • Hillegonda C Rietveld London South Bank University London UK
  • William Echard Carleton University Ottawa

DOI:

https://doi.org/10.5429/694

Abstract

The critical exploration of performance problematizes the theorization of music signification. The contributions in this special issue investigate performance both from the perspective of musicians and from that of their audience by stressing the role of values, norms, meaning and aesthetics in their interaction. In addition, this special issue concerns the relationship between performance and place; performance does not only happen at a place, but is also of and about a place, actively contributing to it and shaping it. Furthermore, the roles of the DJ, music producer and music performer blur in multi-media stage performance settings, while listeners are increasingly playing the role of 'prosumer', thereby actively taking part in a performance ensemble that extends from physically engaged audiences to online video appearances by fans.

Author Biographies

Carlo Nardi, Rhodes University

Research Associate at Rhodes University

Hillegonda C Rietveld, London South Bank University London UK

Reader in Music and Sonic Media

William Echard, Carleton University Ottawa

Associate Professor of Music

References

Bibliography

Attias, B. A., Gavanas, A. and Rietveld, H. C., Eds. (2003) DJ Culture in the Mix: Power, Technology, and Social Change in Electronic Dance Music. New York and London: Bloomsbury Academic.

Fikentscher, K (2003) ‘There’s Not a Problem I Can’t Fix, ‘cause I Can Do It in the Mix’: On the Performative Technology of 12-inch Vinyl. In R. T. A. Lysloff, Jr. and L. C. Gay Eds. Music and Technoculture, Middletown, CT: Weslyan University Press: 290–315.

Frith, S. (1996) Performing Rites: On the Value of Popular Music. Cambridge, MA: Harvard University Press.

Inglis, I. (2006) History, Place and Time: The Possibility of the Unexpected. In I. Inglis Ed. Performance and Popular Music: History, Place and Time, Aldershot and Burlington, VT: Ashgate: xiii-xvi.

Katz, M. (2012) Groove Music: The Art and Culture of the Hip-Hop DJ. Oxford and New York: Oxford University Press.

Kun, J. (2005) Audiotopia: Music, Race, and America. Berkeley, CA: University of California Press.

Middleton, R. (1990) Studying Popular Music. Buckingham: Open University Press.

Nardi, C. (2012) Performing Electronic Dance Music: Mimesis, Reflexivity and the Commodification of Listening. Contemporanea 10 (1): 81–98.

Ramnarine, T. K. (2009) Musical Performance. In J.P.E. Harper-Scott and J. Samson Eds. An Introduction to Music Studies, Cambridge and New York: Cambridge University Press: 221–235.

Shumway, D. R. (1999) Performance. In B. Horner and T. Swiss Eds. Key Terms in Popular Music and Culture, Malden, MA and Oxford: Blackwell: 188–198.

Small, C .–

(1987) Music of the Common Tongue: Survival and Celebration in African American Music. Hanover, NH and London: Wesleyan University Press.

(1998) Musicking: The Meanings of Performing and Listening. Hanover, NH: Wesleyan University Press.

Videography

Charles Bradley: Soul of America (2012) Directed by Poull Brien, US.

Downloads

Published

16-02-2014