REVIEW | Song Interpretation in 21st Century Pop Music

Sam Vallen

Abstract


Ralf von Appen, André Doehring, Dietrich Helms and Allan F. Moore Eds.
Burlington, VT: Ashgate, 2015
ISBN: 978-1472428004 (HB)

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References


Danielsen, A. 2012. “The Sound of Crossover: Micro-Rhythm and Sonic Pleasure in Michael Jackson’s ‘Don’t Stop ‘Til You Get Enough’. Popular Music and Society, 35(2): 151-168.

Everett, W. 2004. “A Royal Scam: The Abstruse and Ironic Bop-Rock Harmony of Steely Dan”. Music Theory Spectrum, 26(2): 201-236.

Zagorski-Thomas, S. 2010. “The Stadium in Your Bedroom: Functional Staging, Authenticity and the Audience-Led Aesthetic in Record Production”. Popular Music, 29(2): 251-266.




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