Review | Unsichtbare Landschaften: Populäre Musik und Räumlichkeit / Invisible Landscapes: Popular Music and Spatiality

Jan Peter Herbst

Abstract


Giacomo Bottà Ed.
Münster: Waxmann, 2016
ISBN: 978-3-8309-3039-6 (PB)
10.5429/2079-3871(2017)v7i1.14en

Keywords


Landscape; Spatiality

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References


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Crossley, N. 2015. Networks of Sound, Style and Subversion: The Punk and Post–Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975–80. Manchester: University Press.

Du Noyer, P. 2002. Liverpool – Wondrous Place: Music from Cavern to Cream. London: Virgin.

Gregson, N. et al. 2003. “Writing (across) Europe: On Writing Space and Writing Practices”. European Urban and Regional Studies, 10(1): 5-22.

Holt, F. and Wergin, C., Eds. 2013. Musical Performance and the Changing City: Post-industrial Contexts in Europe and the United States. New York: Routledge.

Krims, A. 2007. Music and Urban Geography. New York: Routledge.

Leyshon, A. et al., Eds. 1998. The Place of Music. New York: Guildford Press.

Tagg, P. 2011. Caught on the Back Foot: Epistemic Inertia and Visible Music. IASPM Journal, 2(1-2): 3-18.




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