REVIEW | Populäre Musikkulturen im Film. Inter- und transdiziplinäre Perspektiven / Popular Music Cultures in Film. Inter- and transdisciplinary Perspectives

Authors

  • Philipp Schmerheim Universität Bremen

Keywords:

Film, Popular Music, Popular Culture

Abstract

Carsten Heinze & Laura Niebling Eds. Wiesbaden: Springer VS, 2016 ISBN: 978-3-658-10895-3 (PB) 10.5429/2079-3871(2017)v7i1.9en

Author Biography

Philipp Schmerheim, Universität Bremen

Philipp Schmerheim is a lecturer in Children's Media Research at the University of Bremen, Germany, and the founding co-editor of the children’s media research website KinderundJugendmedien.de.

References

Birdsall, C. and Enns, A. Eds. 2011. Sonic Mediations: Body, Sound, Technology. Newcastle, Cambridge Scholars.

Chion, M. 2009. Film, a Sound Art. New York, Columbia University Press.

Gorbman, C. 1988. Unheard Melodies: Narrative Film Movies. London, BFI.

Muir, J. K. 2007. The Rock & Roll Film Encyclopedia. New York, Applause Theatre & Cinema Books, an imprint of Hal Leonard Corporation.

Sergi, G. 2004. The Dolby Era: Film Sound in Contemporary Hollywood. Manchester, Manchester University Press.

Beck, J. and Grajeda, T. Eds. 2008. Lowering the Boom: Critical Studies in Film Sound. Urbana, University of Illinois Press.

Weis, E. and Belton, J. Eds. 1985. Film Sound: Theory and Practice. New York, Columbia University Press.

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Published

30-10-2017