State of the Nation: Review(s) of Popular Music Studies
Special Issue Editor
Dr. Martha Tupinambá de Ulhôa
Editorial Team
Dr. Shane Homan
Dr. Carlo Nardi
Dr. Hillegonda C. Rietveld, Editor
Dr. Geoff Stahl
Dr. Rupert Till
Advisory Editors
Dr. Rebekah Farrugia
Dr. Antti-Ville Kärjä
Assistant Editor
Dr. Elina T. Hytönen
Special Issue Editor
Dr. Martha Tupinambá de Ulhôa
Editorial Team
Dr. Shane Homan
Dr. Carlo Nardi
Dr. Hillegonda C. Rietveld, Editor
Dr. Geoff Stahl
Dr. Rupert Till
Advisory Editors
Dr. Rebekah Farrugia
Dr. Antti-Ville Kärjä
Assistant Editor
Dr. Elina T. Hytönen
Table of Contents
Articles - Special Issue
| Editorial Introduction, Volume 2, February 2012 http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.1en |
|
| Hillegonda C. Rietveld | 1-2 |
| Caught on the Back Foot: epistemic inertia and visible music http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.2en |
|
| Philip Tagg | 3-18 |
| How did popular music come to mean música popular? http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.3en |
|
| Laura F. Jordán González, Douglas Kristopher Smith | 19-33 |
| The Introduction of Popular Music Studies to Ghanaian Universities http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.4en |
|
| John Collins | 34-44 |
| German-language Popular Music Studies in Germany, Austria and Switzerland http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.5en |
|
| Martin Pfleiderer | 45-50 |
| Reflections on Popular Music Studies in Turkey http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.6en |
|
| Ali C. Gedik | 51-56 |
Articles - Open Section
| Del discurso a la performance: la producción de significaciones de nacionalidad en el “jazz argentino” http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.7es |
|
| Berenice Maria Corti | 56-64 |
| Ragtime and Anti-Bolshevism http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.8en |
|
| Brian Holder | 65-86 |
IASPM Branch Reports
| IASPM-US 2011 Report http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.9en |
|
| Rebekah Farrugia | 87-88 |
Reviews
| Some Liked It Hot - Jazz Women in Film and Television, 1928–1959. By Kristin A. McGee. Middletown, Connecticut: Wesleyan University Press. 2009 http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.11en |
|
| Antti-Ville Karja | 89-91 |
| Fado and the place of longing - loss, memory and the city. By Richard Elliott. Farnham, UK: Ashgate. 2010 http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.12en |
|
| Ase Ottosson | 92-93 |
| Protest Music in France - Production, Identity and Audiences. By Barbara Lebrun. Farnham, UK: Ashgate. 2009. http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.13en |
|
| Catherine Strong | 94-95 |
This work is licensed under a Creative Commons Attribution 3.0 License.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.