Vol 3, No 1 (2013)

The Digital Nation: Copyright, Technology and Politics

Editor
Dr. Hillegonda C Rietveld

Special Issue Editors
Dr. Geoff Stahl
Dr. Shane Homan

Additional Editors
Dr. William Echard
Dr. Carlo Nardi
Dr. Rupert Till
Dr. Ed Montano

Reviews Editor
Dr. Penny Spirou

Assistant Editors
Dr. Elina T. Hytönen-Ng
Kwok Ng

Table of Contents

Editorial

Introduction: Digital Nation: Copyright, Technology, Politics
Geoff Stahl, Shane Homan
PDF
1-8

The Digital Nation: Articles

Brazilian Popular Music Economy Aspects: The Baile Funk Circuit
Simone Pereira Sá, Gabriela Oliveira Miranda
PDF
9-18
Chiptuning Intellectual Property: Digital Culture Between Creative Commons and Moral Economy
Martin J. Zeilinger
PDF
19-34
The Cultural Capital Project: Radical Monetization of the Music Industry
Brian Fauteux, Ian Dahlman, Andrew deWaard
PDF
35-47
Copyright Management and its Effect on the Sampling Practice of UK Dance Music Producers
Justin Morey
PDF
48-62
Money Trouble in an African Art World: Copyright, Piracy, and the Politics of Culture in Postcolonial Mali
Ryan Thomas Skinner
PDF
63-79
Turkey and the Copyleft Music Production: Reflections on Bandista
Ilkin Mehrabov
PDF
80-90

Reviews

Languages of Global Hip Hop
Catherine Baker
PDF
91-92
Pop Song Piracy: Disobedient Music Distribution Since 1929
Evangelos Chrysagis
PDF
93-94
Fresh at Twenty: the Oral History of Mint Records
Brian Fauteux
PDF
95-96
Cultural Globalization and Music: African Artists in Transnational Networks
Rachel Muehrer
PDF
97-99
Radiohead and the Resistant Concept Album: How to Disappear Completely
Raphaël Nowak
PDF
100-102
Rock's Back Pages
Rupert Till
PDF
103-104