, Canada
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IASPM Journal Vol. 2 No. 1-2 (2011) - Articles – Special Issue
How did popular music come to mean música popular?
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.3en
Abstract PDF Revision Final revision, ignore previous approaved revisions approaved revisions with track changes How Did Popular Music Come to Mean Música Popular? -
IASPM Journal Vol. 3 No. 1 (2013): The Digital Nation: Copyright, Technology and Politics - Reviews
Fresh at Twenty: the Oral History of Mint Records
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IASPM Journal Vol. 3 No. 1 (2013): The Digital Nation: Copyright, Technology and Politics - The Digital Nation: Articles
Chiptuning Intellectual Property: Digital Culture Between Creative Commons and Moral Economy
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IASPM Journal Vol. 3 No. 1 (2013): The Digital Nation: Copyright, Technology and Politics - Reviews
Cultural Globalization and Music: African Artists in Transnational Networks
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IASPM Journal Vol. 4 No. 1 (2014): Popular Music Performance - Reviews
Contemporary Carioca: Technologies of mixing in a Brazilian Music Scene
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IASPM Journal Vol. 4 No. 2 (2014): Music Journalism - Reviews
Song Means: Analysing and Interpreting Recorded Popular Song
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IASPM Journal Vol. 5 No. 1 (2015): Popular Music and Education - Popular Music Education: Articles
Teaching and Learning Popular Music in Higher Education Through Interdisciplinary Collaboration: Practice What You Preach
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IASPM Journal Vol. 5 No. 2 (2015): Transnational Issue - Reviews
REVIEW | It’s Been Beautiful: Soul! and Black Power Television
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IASPM Journal Vol. 5 No. 2 (2015): Transnational Issue - Reviews
REVIEW | Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area
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IASPM Journal Vol. 6 No. 2 (2016): Perspectives on Popular Music and Sound Recording - Articles – Special Issue
The Concept Album as Visual—Sonic—Textual Spectacle: The Transmedial Storyworld of Coldplay’s Mylo Xyloto
Abstract Coldplay Figures PDF -
IASPM Journal Vol. 6 No. 2 (2016): Perspectives on Popular Music and Sound Recording - Reviews
REVIEW | Sounds of the Underground: A Cultural, Political, and Aesthetic Mapping of Underground and Fringe Music
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IASPM Journal Vol. 8 No. 1 (2018): Gender Politics in the Music Industry - Articles – Special Issue
“When She Plays We Hear the Revolution”: Girls Rock Regina - A Feminist Intervention
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IASPM Journal Vol. 8 No. 1 (2018): Gender Politics in the Music Industry - Reviews
REVIEW | Mozlandia: Morrissey Fans in the Borderlands
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IASPM Journal Vol. 9 No. 1 (2019): Pop Music Festivals and (Cultural) Policies - Editorial
Editorial Introduction
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IASPM Journal Vol. 9 No. 2 (2019): Open Issue - Editorial
Editorial Introduction
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IASPM Journal Vol. 11 No. 2 (2021): Special Issue: Popular Music, Decolonization and Indigenous Studies - Articles – Special Issue
Tanya Tagaq Covers Nirvana: “Rape Me” and a History of Settler Colonial Violence
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IASPM Journal Vol. 10 No. 1 (2020): Open Issue - Editorial
Editorial Introduction: 2020: “I’ve Seen It All”
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IASPM Journal Vol. 10 No. 2 (2020): Open Issue - Editorial
Editorial Introduction: “Once the Water Starts to Rise…”
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IASPM Journal Vol. 11 No. 1 (2021): Special Issue: Crises at Work: Potentials for Change? - Editorial
Editorial Introduction: A Backstage Pass to the Journal
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IASPM Journal Vol. 3 No. 1 (2013): The Digital Nation: Copyright, Technology and Politics - The Digital Nation: Articles
The Cultural Capital Project: Radical Monetization of the Music Industry
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IASPM Journal Vol. 4 No. 1 (2014): Popular Music Performance - Editorial
Introduction: Popular Music Performance
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