Browse Title Index


 
Issue Title
 
Vol 1, No 1 (2010) 'He'll Have To Go': Popular music and the Social Performing of Memory
doi:10.5429/2079-3871(2010)v1i1.4en
Abstract   PDF
Nedim Hassan
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording A Digital Recording Consciousness: Analysing, Mixing and Evaluating Audio in the Mashup Community Abstract   PDF
Maarten Michielse
 
Vol 5, No 1 (2015): Popular Music and Education A Discourse on Brazilian Popular Music and U.S. Jazz Education Abstract   PDF
Almir Cortes Barreto, Hafez Modirzadeh
 
Vol 7, No 2 (2017): Practice-Led and Practice-Based Popular Music Studies A Final Guiding Hand: A Practice-Based Study into the Evolving Role of Third Party Mixers. Abstract   PDF   MP3-1   MP3-2
Brendan Anthony
 
Vol 5, No 2 (2015): Transnational Issue "A Musician Who Puts on a Gig": Local Promoter’s Multiple Roles and Hierarchies at a Small British Jazz Club Abstract   PDF
Elina T. Hytönen-Ng
 
Vol 1, No 1 (2010) "A Young Girls Dream": Examining the Barriers Facing Female Electric Guitarists Abstract   PDF
Monique Bourdage
 
Vol 5, No 1 (2015): Popular Music and Education Activism, Authority, and Aesthetics: Finding the Popular in Academies of Música Popular Abstract   PDF
Michael O'Brien
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording Air Flows: Breath, Voice, and Authenticity in Three Recordings Abstract   PDF
Gregory Weinstein
 
Vol 4, No 2 (2014): Music Journalism Alternative Journalism in Madrid’s Blues Scene Abstract   PDF
Josep Pedro
 
Vol 4, No 1 (2014): Popular Music Performance Alternative Rock Music in Yugoslavia in the Period Between 1980-1991 and its Influence on the Present Musical and Cultural Life in Macedonia, Serbia and Croatia Abstract   PDF
Julijana Zhabeva Papazova
 
Vol 8, No 1 (2018): Gender Politics in the Music Industry Amy Winehouse: Back to Black and the Gothic Abstract   PDF
Adrian Howard Sledmere
 
Vol 1, No 1 (2010) "Analysing Live Music in the UK" Findings One Year into a Three-Year Research Project
doi:10.5429/2079-3871(2010)v1i1.3en
Abstract   PDF
Simon Frith, Matt Brennan, Martin Cloonan, Emma Webster
 
Vol 1, No 2 (2010) Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation
doi:10.5429/2079-3871(2010)v1i2.3en
Abstract   PDF
Paul Harkins
 
Vol 4, No 2 (2014): Music Journalism Art to Commerce: The Trajectory of Popular Music Criticism Abstract   PDF
Thomas Conner, Steve Jones
 
Calls & Style Guide Authoring Reviews Abstract   PDF
IJ Editor
 
Vol 1, No 2 (2010) Authorship and co-authorship (parceria) in samba: creative articulations and social boundaries
doi:10.5429/2079-3871(2010)v1i2.9en
Abstract   PDF
Cláudia Neiva Matos
 
Vol 6, No 1 (2016): New Directions in Music Fan Studies Benjamin's KISS: A Perspective on Music, Spectacle and Aura Abstract   PDF
Rob Ahlers
 
Vol 5, No 1 (2015): Popular Music and Education Beyond Adorno: Post-Critical Teaching of Popular Music in the German Educational System and Its Theoretical and Practical Challenges Abstract   PDF
Christofer Jost
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Beyond and Before: Progressive Rock since the 1960s Abstract   PDF
Michael John Kaler
 
Vol 7, No 1 (2017): Pop Life: The Popular Music Biopic Beyond Authenticity, Beyond Romanticism: Films About Maanam Abstract   PDF
Ewa Mazierska
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Brazilian Popular Music Economy Aspects: The Baile Funk Circuit Abstract   PDF
Simone Pereira Sá, Gabriela Oliveira Miranda
 
Vol 4, No 2 (2014): Music Journalism Brian Wilson (Icons of Pop) Abstract   PDF
Kathryn Rose Hill
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Bruce Springsteen, Cultural Studies, and the Runaway American Dream Abstract   PDF
David Cashman
 
Vol 2, No 1-2 (2011) Caught on the Back Foot: epistemic inertia and visible music
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.2en
Abstract   PDF
Philip Tagg
 
Vol 5, No 2 (2015): Transnational Issue Celebrity-owned Instruments and Vintage Guitars: The Transformation of the Electric Guitar from Musician’s Tool to Luxury Item Abstract
Heikki Uimonen
 
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