Browse Title Index


 
Issue Title
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Brazilian Popular Music Economy Aspects: The Baile Funk Circuit Abstract   PDF
Simone Pereira Sá, Gabriela Oliveira Miranda
 
Vol 4, No 2 (2014): Music Journalism Brian Wilson (Icons of Pop) Abstract   PDF
Kathryn Rose Hill
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Bruce Springsteen, Cultural Studies, and the Runaway American Dream Abstract   PDF
David Cashman
 
Vol 2, No 1-2 (2011) Caught on the Back Foot: epistemic inertia and visible music
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.2en
Abstract   PDF
Philip Tagg
 
Vol 5, No 2 (2015): Transnational Issue Celebrity-owned Instruments and Vintage Guitars: The Transformation of the Electric Guitar from Musician’s Tool to Luxury Item Abstract
Heikki Uimonen
 
Calls & Style Guide CFP Française - Appel Ouvert à Contributions Abstract   PDF
IJ Open
 
Calls & Style Guide CFP IJ 8/1 (2018) Gender Politics in the Music Industry Abstract   PDF
IJ Editor
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Chiptuning Intellectual Property: Digital Culture Between Creative Commons and Moral Economy Abstract   PDF
Martin J. Zeilinger
 
Vol 7, No 1 (2017): Pop Life: The Popular Music Biopic CONFERENCE REVIEW | Popular Music and Power. Sonic Materiality between Cultural Studies and Music Analysis, June 2016, Berlin Abstract   PDF
Bianca Ludewig, José Miguel Gálvez
 
Vol 4, No 1 (2014): Popular Music Performance Contemporary Carioca: Technologies of mixing in a Brazilian Music Scene Abstract   PDF
Jordan Peter Saull
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Copyright Management and its Effect on the Sampling Practice of UK Dance Music Producers Abstract   PDF
Justin Morey
 
Vol 4, No 2 (2014): Music Journalism Covering Performers, Discovering Femininities: US Hip-Hop Journalism and Female Artists Abstract   PDF
Barbara Panuzzo
 
Vol 5, No 1 (2015): Popular Music and Education Creative Conceptualisation: Nurturing Creative Practice Through the Popular Music Pedagogy of Live Recording Production. Abstract   PDF
Brendan Anthony
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Cultural Globalization and Music: African Artists in Transnational Networks Abstract   PDF
Rachel Muehrer
 
Vol 5, No 1 (2015): Popular Music and Education Death Metal and Music Criticism: Analysis at the Limits Abstract   PDF
Marco Ferrarese
 
Vol 2, No 1-2 (2011) Del discurso a la performance: la producción de significaciones de nacionalidad en el “jazz argentino”
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.7es
Abstract   PDF
Berenice Maria Corti
 
Vol 1, No 1 (2010) Deportation Blues
doi:10.5429/2079-3871(2010)v1i1.5en
Abstract   PDF
Bruce Johnson
 
Calls & Style Guide Deutsch CFP - Offener Call for Papers Abstract   PDF
IJ Open
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Ecomusicology, Music Studies, and IASPM: Beyond “Epistemic Inertia” Abstract   PDF
Mark Pedelty
 
Calls & Style Guide Editor's Note - Vol 0, 2009 Abstract   PDF
Hector Fouce
 
Vol 1, No 1 (2010) Editor's note vol 1 Abstract   PDF
Hector Fouce
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording Editorial, 6/2, 2016 Abstract   PDF
IJ Editor
 
Vol 5, No 2 (2015): Transnational Issue Editorial Introduction Abstract   PDF
Hillegonda C Rietveld
 
Vol 7, No 1 (2017): Pop Life: The Popular Music Biopic Editorial Introduction Abstract   PDF
Hillegonda C Rietveld
 
Vol 2, No 1-2 (2011) Editorial Introduction, Volume 2, February 2012
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.1en
Abstract   PDF
Hillegonda C. Rietveld
 
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