Browse Title Index


 
Issue Title
 
Vol 1, No 1 (2010) Editor's note vol 1 Abstract   PDF
Hector Fouce
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording Editorial, 6/2, 2016 Abstract   PDF
IJ Editor
 
Vol 5, No 2 (2015): Transnational Issue Editorial Introduction Abstract   PDF
Hillegonda C Rietveld
 
Vol 7, No 1 (2017): Pop Life: The Popular Music Biopic Editorial Introduction Abstract   PDF
Hillegonda C Rietveld
 
Vol 7, No 2 (2017): Practice-Led and Practice-Based Popular Music Studies Editorial Introduction Abstract   PDF
Koos Zwaan
 
Vol 8, No 1 (2018): Gender Politics in the Music Industry Editorial Introduction Abstract   PDF
Bernhard Steinbrecher
 
Vol 2, No 1-2 (2011) Editorial Introduction, Volume 2, February 2012
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.1en
Abstract   PDF
Hillegonda C. Rietveld
 
Vol 5, No 1 (2015): Popular Music and Education Editorial Introduction: Popular Music in Education, Special Issue Abstract   PDF
Lucy Green, Don Lebler, Rupert Till
 
Vol 5, No 1 (2015): Popular Music and Education El discurso sobre la práctica de un guitarrista de jazz semi-profesional: Estudio de caso de aprendizaje musical constructivo Abstract   PDF
Amalia Casas-Mas, Ignacio Montero, Juan Ignacio Pozo
 
Calls & Style Guide English Version - Open Call for Papers Abstract   PDF
IJ Open
 
Calls & Style Guide Español CFP - Convocatoria de Artículos Abstract   PDF
IJ Open
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Everyday Tonality: Towards a Tonal Theory of What Most People Hear. By Philip Tagg Abstract   PDF
Jacopo Conti
 
Vol 4, No 1 (2014): Popular Music Performance Experiencing ‘flow’ in jazz performance Abstract   PDF
Andrew Wright Hurley
 
Vol 2, No 1-2 (2011) Fado and the place of longing - loss, memory and the city. By Richard Elliott. Farnham, UK: Ashgate. 2010
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.12en
Details   PDF
Ase Ottosson
 
Vol 6, No 1 (2016): New Directions in Music Fan Studies Fandom, Music and Personal Relationships through Media: How Teenagers Use Social Networks Abstract   PDF
Pilar Lacasa, Laura Méndez Zaballos, Julián de la Fuente Prieto
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording Feigning Humanity: Virtual Instruments, Simulation and Performativity Abstract   PDF
Eve Klein
 
Vol 4, No 1 (2014): Popular Music Performance Female, Mosher, Transgressor: A 'Moshography' of Transgressive Practices within the Leeds Extreme Metal Scene Abstract   PDF
Gabrielle Riches, Brett Lashua, Karl Spracklen
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Flamenco Music and National Identity in Spain Abstract   PDF
Elina T. Hytönen-Ng
 
Vol 1, No 1 (2010) Focusing the Gaze: The Role of Music in Film Adaptations of Austen's "Pride and Prejudice"
doi:10.5429/2079-3871(2010)v1i1.6en
Abstract   PDF
Christine Amos Linial
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Fresh at Twenty: the Oral History of Mint Records Abstract   PDF
Brian Fauteux
 
Vol 8, No 1 (2018): Gender Politics in the Music Industry From Juke Joints to Jazz Jams: The Political Economy of Female Club Owners Abstract   PDF
Kara Attrep
 
Vol 7, No 2 (2017): Practice-Led and Practice-Based Popular Music Studies Fully Automated Luxury Composition Abstract   PDF   MP3
Paul Wolinski
 
Vol 8, No 1 (2018): Gender Politics in the Music Industry Gender Politics in the Music Industry Abstract   PDF
Catherine Strong, Sarah Raine
 
Vol 8, No 1 (2018): Gender Politics in the Music Industry Gender Ventriloquism in Studio Production Abstract   PDF
Helen Reddington
 
Vol 2, No 1-2 (2011) German-language Popular Music Studies in Germany, Austria and Switzerland
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.5en
Abstract   PDF
Martin Pfleiderer
 
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