Browse Title Index


 
Issue Title
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Grunge: Music and Memory Abstract   PDF
Lauren Grace Istvandity
 
Vol 4, No 1 (2014): Popular Music Performance Grunting Alone? Online Gender Inequality in Extreme Metal Music Abstract   PDF
Julian Schaap, Pauwke Berkers
 
Vol 4, No 1 (2014): Popular Music Performance Home. Land and Sea: Situating Music in Aotearoa New Zealand Abstract   PDF
Roy Gordon Shuker
 
Vol 2, No 1-2 (2011) How did popular music come to mean música popular?
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.3en
Abstract   PDF
Laura F. Jordán González, Douglas Kristopher Smith
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century I Hear Music: Popular Music and its Mediations. Abstract   PDF
Anthony John Bruce Johnson
 
Calls & Style Guide IASPM@Journal Style Guide and Template Abstract
IJ Editorial
 
Vol 2, No 1-2 (2011) IASPM-US 2011 Report
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.9en
Abstract   PDF
Rebekah Farrugia
 
Vol 4, No 2 (2014): Music Journalism Introduction Abstract   PDF
Christoph Jacke, Martin James, Ed Montano
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Introduction: Digital Nation: Copyright, Technology, Politics Abstract   PDF
Geoff Stahl, Shane Homan
 
Vol 4, No 1 (2014): Popular Music Performance Introduction: Popular Music Perfomance Abstract   PDF
Carlo Nardi, Hillegonda C Rietveld, William Echard
 
Calls & Style Guide Italian CFP - Open Call for Papers Abstract   PDF
IJ Open
 
Vol 4, No 1 (2014): Popular Music Performance Jam sessions in Madrid’s blues scene: musical experience in hybrid performance models Abstract   PDF
Josep Pedro
 
Calls & Style Guide Japanese CFP - 日本語 原稿募集 Abstract   PDF
IJ Open
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording Kosmische Musik and its Techno-Social Context Abstract   PDF
Alexander C Harden
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Languages of Global Hip Hop Abstract   PDF
Catherine Baker
 
Vol 6, No 1 (2016): New Directions in Music Fan Studies Lazarus Rises: Storying the Self in the Migrant Fandom of David Bowie Abstract   PDF
Toija Cinque, Sean Redmond
 
Vol 1, No 2 (2010) "Listen to these Speakers": Swedish Hi-fi Enthusiasts, Gender, and Listening
doi:10.5429/2079-3871(2010)v1i2.5en
Abstract   PDF
Sara Jansson
 
Vol 4, No 1 (2014): Popular Music Performance Live Architecture: Venues, Stages and Arenas for Popular Music Abstract   PDF
Eduardo Viñuela
 
Vol 1, No 1 (2010) Live Recollections: Uses of the Past in U.S. Concert Life
doi:10.5429/2079-3871(2010)v1i1.9en
Abstract   PDF
Steve Waksman
 
Vol 7, No 1 (2017): Pop Life: The Popular Music Biopic Live to Tell: Remediating Historical Performance in the Popular Music Biopic Abstract   PDF
Maurizio Corbella
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Looking for Something New: The Provision of Popular Music Studies Degrees in the UK Abstract   PDF
Martin Cloonan, Lauren Hulstedt
 
Vol 6, No 1 (2016): New Directions in Music Fan Studies Love Me For A Reason: An Auto-ethnographic Account of Boyzone Fandom Abstract   PDF
Simone Driessen, Bethan Jones
 
Calls & Style Guide Magyar CFP - Felhívás Abstract   PDF
IJ Open
 
Vol 7, No 2 (2017): Practice-Led and Practice-Based Popular Music Studies Making Music in Bankstown: Responding to Place Through Song Abstract   PDF   Stream
Toby Martin
 
Vol 8, No 1 (2018): Gender Politics in the Music Industry Making Women in Jazz Visible: Negotiating Discourses of Unity and Diversity in Sweden and the US Abstract   PDF
Cecilia Björck, Åsa Bergman
 
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