Browse Title Index


 
Issue Title
 
Vol 4, No 1 (2014): Popular Music Performance Jam sessions in Madrid’s blues scene: musical experience in hybrid performance models Abstract   PDF
Josep Pedro
 
Calls & Style Guide Japanese CFP - 日本語 原稿募集 Abstract   PDF
IJ Open
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording Kosmische Musik and its Techno-Social Context Abstract   PDF
Alexander C Harden
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Languages of Global Hip Hop Abstract   PDF
Catherine Baker
 
Vol 6, No 1 (2016): New Directions in Music Fan Studies Lazarus Rises: Storying the Self in the Migrant Fandom of David Bowie Abstract   PDF
Toija Cinque, Sean Redmond
 
Vol 1, No 2 (2010) "Listen to these Speakers": Swedish Hi-fi Enthusiasts, Gender, and Listening
doi:10.5429/2079-3871(2010)v1i2.5en
Abstract   PDF
Sara Jansson
 
Vol 4, No 1 (2014): Popular Music Performance Live Architecture: Venues, Stages and Arenas for Popular Music Abstract   PDF
Eduardo Viñuela
 
Vol 1, No 1 (2010) Live Recollections: Uses of the Past in U.S. Concert Life
doi:10.5429/2079-3871(2010)v1i1.9en
Abstract   PDF
Steve Waksman
 
Vol 7, No 1 (2017): Pop Life: The Popular Music Biopic Live to Tell: Remediating Historical Performance in the Popular Music Biopic Abstract   PDF
Maurizio Corbella
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Looking for Something New: The Provision of Popular Music Studies Degrees in the UK Abstract   PDF
Martin Cloonan, Lauren Hulstedt
 
Vol 6, No 1 (2016): New Directions in Music Fan Studies Love Me For A Reason: An Auto-ethnographic Account of Boyzone Fandom Abstract   PDF
Simone Driessen, Bethan Jones
 
Calls & Style Guide Magyar CFP - Felhívás Abstract   PDF
IJ Open
 
Vol 1, No 2 (2010) Maximum output for minimum input - 1G3B and the reterritorialization of a Finland-Swedish metal identity on the Internet
http://dx.doi.org/10.5429/2079-3871(2010)v1i2.1en
Abstract   PDF
Johannes Brusila
 
Vol 6, No 1 (2016): New Directions in Music Fan Studies Meeting Josh Groban (Again): Fan/Celebrity Contact as Ordinary Behavior Abstract   PDF
Gayle Stever
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Money Trouble in an African Art World: Copyright, Piracy, and the Politics of Culture in Postcolonial Mali Abstract   PDF
Ryan Thomas Skinner
 
Vol 4, No 2 (2014): Music Journalism Music and (Touristic) Meaning on Cruise Ships: The Musicscape of the MV Carnival Paradise as a Semiotic Tourism Product. Abstract   PDF
David Cashman
 
Vol 5, No 1 (2015): Popular Music and Education Music Education as Critical Theory and Practice Abstract   PDF
Diane Hughes
 
Vol 4, No 2 (2014): Music Journalism Music, Politics, and Violence Abstract   PDF
Mark Stephen Carroll
 
Vol 4, No 1 (2014): Popular Music Performance Musical Parody at the Late 20th and Early 21st Century Abstract   PDF
Mihail Todorov Lukanov
 
Vol 4, No 1 (2014): Popular Music Performance Musical Performance and the Changing City: Post-Industrial Contexts in Europe and the United States Abstract   PDF
Ian Keith Rogers
 
Vol 6, No 1 (2016): New Directions in Music Fan Studies New Directions in Music Fan Studies Editorial Introduction Abstract   PDF
Koos Zwaan, Mark Duffett
 
Vol 6, No 1 (2016): New Directions in Music Fan Studies Not Only Little Monsters: Diversity in Music Fandom in LGBTQ Lives Abstract   PDF
Marion Wasserbauer, Alexander Dhoest
 
Vol 5, No 1 (2015): Popular Music and Education Opening Minds: Style Copies as Didactical Initiators Abstract   PDF
Michael Ahlers
 
Vol 4, No 1 (2014): Popular Music Performance Performing Austria: Protesting the Musical Nation Abstract   PDF
Allyson Fiddler
 
Vol 4, No 1 (2014): Popular Music Performance Playing it Queer: Popular Music, Identity and Queer World-making Abstract   PDF
Julia Downes
 
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