Browse Title Index


 
Issue Title
 
Vol 7, No 1 (2017): Pop Life: The Popular Music Biopic Pop Life: The Popular Music Biopic – Introduction Abstract   PDF
Matthew Bannister
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Pop Song Piracy: Disobedient Music Distribution Since 1929 Abstract   PDF
Evangelos Chrysagis
 
Vol 4, No 2 (2014): Music Journalism Pop-Rock Music Abstract   PDF
Brett David Wilson
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Popular Music and the Myths of Madness Abstract   PDF
Beate Peter
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Popular Music, Gender and Sexualities Abstract   PDF
Sheila Margaret Whiteley
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Popular Music Studies and Ethnomusicology in Australasia Abstract   PDF
Dan Bendrups
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Popular Music Studies and the Problems of Sound, Society and Method Abstract   PDF
Eliot Bates
 
Calls & Style Guide Português CFP - Chamada Para Artigos Abstract   PDF
IJ Open
 
Vol 7, No 1 (2017): Pop Life: The Popular Music Biopic Practices of Verisimilitude in Pop Music Biopics: A Conversation with Todd Eckert and James Anthony Pearson on Control, and Nick Moran on Telstar Abstract   PDF
Jon Stewart, Liam Maloy, Benjamin Halligan
 
Vol 5, No 1 (2015): Popular Music and Education Presage: What Knowledge and Experience Higher Education Songwriting Students Bring to the Classroom Abstract   PDF
Diana Blom, Kim Poole
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording Producing music, producing myth? Creativity in Recording Studios Abstract   PDF
Paul Thompson, Brett Lashua
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording Producing music, producing myth? Creativity in Recording Studios Abstract
Brett D. Lashua, Paul Thompson
 
Vol 2, No 1-2 (2011) Protest Music in France - Production, Identity and Audiences. By Barbara Lebrun. Farnham, UK: Ashgate. 2009.
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.13en
Details   PDF
Catherine Strong
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Radiohead and the Resistant Concept Album: How to Disappear Completely Abstract   PDF
Raphaël Nowak
 
Vol 2, No 1-2 (2011) Ragtime and Anti-Bolshevism
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.8en
Abstract   PDF
Brian Holder
 
Vol 1, No 2 (2010) Rebirth, resounding, recreation: making seventies rock in the 21st century Abstract   PDF
Sverker Hyltén-Cavallius
 
Vol 2, No 1-2 (2011) Reflections on Popular Music Studies in Turkey
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.6en
Abstract   PDF
Ali C. Gedik
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | Beyond 2.0: The Future of Music Abstract   PDF
Emília Barna
 
Vol 7, No 1 (2017): Pop Life: The Popular Music Biopic REVIEW | Black Popular Music in Britain Since 1945 Abstract   PDF
tobias c. van Veen
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording REVIEW | Fela: Kalakuta Notes Abstract   PDF
Michael Drewett
 
Vol 6, No 1 (2016): New Directions in Music Fan Studies REVIEW | Hip-Hop in Europe: Cultural Identities and Transnational Flows Abstract   PDF
James Cox
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | How To Write About Music… with advice from industry-leading writers Abstract   PDF
John Conrad Mullen
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | It’s Been Beautiful: Soul! and Black Power Television Abstract   PDF
Rob Bowman
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | Korea and the Western Drumset: Scattering Rhythms Abstract   PDF
Felicity Clark
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area Abstract   PDF
Brian Fauteux
 
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