Browse Title Index


 
Issue Title
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording Producing music, producing myth? Creativity in Recording Studios Abstract
Brett D. Lashua, Paul Thompson
 
Vol 2, No 1-2 (2011) Protest Music in France - Production, Identity and Audiences. By Barbara Lebrun. Farnham, UK: Ashgate. 2009.
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.13en
Details   PDF
Catherine Strong
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Radiohead and the Resistant Concept Album: How to Disappear Completely Abstract   PDF
Raphaël Nowak
 
Vol 2, No 1-2 (2011) Ragtime and Anti-Bolshevism
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.8en
Abstract   PDF
Brian Holder
 
Vol 1, No 2 (2010) Rebirth, resounding, recreation: making seventies rock in the 21st century Abstract   PDF
Sverker Hyltén-Cavallius
 
Vol 2, No 1-2 (2011) Reflections on Popular Music Studies in Turkey
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.6en
Abstract   PDF
Ali C. Gedik
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | Beyond 2.0: The Future of Music Abstract   PDF
Emília Barna
 
Vol 7, No 1 (2017): Pop Life: The Popular Music Biopic REVIEW | Black Popular Music in Britain Since 1945 Abstract   PDF
tobias c. van Veen
 
Vol 7, No 2 (2017): Practice-Led and Practice-Based Popular Music Studies REVIEW | Blue Rhythm Fantasy: Big Band Jazz Arranging in the Swing Era Abstract   PDF
Jeremiah Spillane
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording REVIEW | Fela: Kalakuta Notes Abstract   PDF
Michael Drewett
 
Vol 6, No 1 (2016): New Directions in Music Fan Studies REVIEW | Hip-Hop in Europe: Cultural Identities and Transnational Flows Abstract   PDF
James Cox
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | How To Write About Music… with advice from industry-leading writers Abstract   PDF
John Conrad Mullen
 
Vol 7, No 2 (2017): Practice-Led and Practice-Based Popular Music Studies REVIEW | In the Midnight Hour: The Life and Soul of Wilson Pickett Abstract   PDF
Roger Fagge
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | It’s Been Beautiful: Soul! and Black Power Television Abstract   PDF
Rob Bowman
 
Vol 7, No 2 (2017): Practice-Led and Practice-Based Popular Music Studies REVIEW | Jazz as Visual Language: Film, Television and the Dissonant Image Abstract   PDF
Alyn Shipton
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | Korea and the Western Drumset: Scattering Rhythms Abstract   PDF
Felicity Clark
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area Abstract   PDF
Brian Fauteux
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | Living Politics, Making Music: The Writings of Jan Fairley Abstract   PDF
Katia Chornik
 
Vol 7, No 1 (2017): Pop Life: The Popular Music Biopic REVIEW | Ludomusicology: Approaches to Video Game Music Abstract   PDF
Sam Cleeve
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | Made in Brazil: Studies in Popular Music. Abstract   PDF
Pedro Félix
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | Made in Spain: Studies in Popular Music Abstract   PDF
Anthony John Bruce Johnson
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording REVIEW | Making Aboriginal Men and Music in Central Australia Abstract   PDF
Ann Werner
 
Vol 8, No 1 (2018): Gender Politics in the Music Industry REVIEW | Mozlandia: Morrissey Fans in the Borderlands Abstract   PDF
Nicholas P Greco
 
Vol 7, No 2 (2017): Practice-Led and Practice-Based Popular Music Studies REVIEW | Music as Multimodal Discourse: Semiotics, Power and Protest Abstract   PDF
John Conrad Mullen
 
Vol 8, No 1 (2018): Gender Politics in the Music Industry REVIEW | Music/Video: Histories, Aesthetics, Media Abstract   PDF
Laura Niebling
 
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