Browse Title Index


 
Issue Title
 
Vol 5, No 1 (2015): Popular Music and Education Text and Drugs and Rock 'n' Roll: The Beats and Rock Culture Abstract   PDF
Ian Collinson
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording The Concept Album as Visual—Sonic—Textual Spectacle: The Transmedial Storyworld of Coldplay’s Mylo Xyloto Abstract   PDF
Lori Anne Burns
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics The Cultural Capital Project: Radical Monetization of the Music Industry Abstract   PDF
Brian Fauteux, Ian Dahlman, Andrew deWaard
 
Vol 7, No 2 (2017): Practice-Led and Practice-Based Popular Music Studies The Giver: A Case Study of The Impact of Remote Music Collaboration Software on Music Production Process Abstract   PDF   MP3-1   MP3-2   MP3-3
Martin Kamil Koszolko
 
Vol 4, No 2 (2014): Music Journalism The History of Live Music in Britain, Volume I: 1950-1967 Abstract   PDF
Christopher Johnson
 
Vol 2, No 1-2 (2011) The Introduction of Popular Music Studies to Ghanaian Universities
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.4en
Abstract   PDF
John Collins
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror Abstract   PDF
Anthony John Bruce Johnson
 
Vol 5, No 2 (2015): Transnational Issue The Popularization of Gugak: A Case Study of the MIJI Project, a Gugak Girl Group Abstract   PDF
Inhwa So
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording The Portable Recording Studio: Documentary Filmmaking and Live Album Recording, 1967-1969 Abstract   PDF
Landon Palmer
 
Vol 4, No 1 (2014): Popular Music Performance The Touring Musician: Repetition and Authenticity in Performance Abstract   PDF
Daniel Robert McKinna
 
Vol 1, No 2 (2010) The Traitor and the Stowaway: Persona Construction and the Quest for Cultural Anonymity and Cultural Relevance in the Trajectories of Bob Dylan and Leonard Cohen
doi:10.5429/2079-3871(2010)v1i2.6en
Abstract   PDF
Christophe Lebold
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording Time-based Signal Processing and 'Shape' in Alternative Rock Recordings Abstract   PDF
Samantha Bennett
 
Vol 1, No 1 (2010) Towards streamlined broadcasting. The Changing Music Cultures of 1990s Finnish Commercial Radio.
doi:10.5429/2079-3871(2010)v1i1.8en
Abstract   PDF
Heikki Uimonen
 
Vol 4, No 2 (2014): Music Journalism Trad Dads, Dirty Boppers and Free Fusioneers, British Jazz 1960-1975 Abstract   PDF
Katherine Ann Williams
 
Vol 5, No 2 (2015): Transnational Issue Travelling Songs: On Popular Music Transfer and Translation Abstract   PDF
Isabelle Marc
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Turkey and the Copyleft Music Production: Reflections on Bandista Abstract   PDF
Ilkin Mehrabov
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Twenty First Century Popular Music Studies Abstract   PDF
Rupert Till
 
Vol 4, No 1 (2014): Popular Music Performance Vinyl: A History of the Analogue Record Abstract   PDF
Andrew Whelan
 
Vol 4, No 2 (2014): Music Journalism Vladimir Vysotskij e le Sue Canzoni: Note Sulla Ricezione Italiana Abstract   PDF
Carlo Bianchi
 
Vol 1, No 1 (2010) Vocal pop pleasures. Theoretical, analytical and empirical approaches to voice and singing in popular music
doi:10.5429/2079-3871(2010)v1i1.7en
Abstract   PDF
Martin Pfleiderer
 
Vol 1, No 2 (2010) "Vorrei trovar parole nuove" - Il neologismo “cantautore” e l'ideologia dei generi musicali nella canzone italiana degli anni Sessanta
doi:10.5429/2079-3871(2010)v1i2.11it
Abstract   PDF
Jacopo Tomatis
 
Calls & Style Guide Wanted: New Editors Abstract   PDF
IJ Editor
 
Vol 1, No 2 (2010) Who Sells Out?: Petra Haden in the Age of Mechanical Reproduction
doi:10.5429/2079-3871(2010)v1i2.7en
Abstract   PDF
Marianne Tatom Letts
 
Vol 4, No 1 (2014): Popular Music Performance Women Make Noise: Girl Bands From Motown to the Modern Abstract   PDF
Kathryn Rose Hill
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century You Say Invisible, I Say Ubiquitous: A (Formally Former) Student’s Response to Philip Tagg’s ‘Caught on the Back Foot: Epistemic Inertia and Visible Music’. Abstract   PDF
Anahid Kassabian
 
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