Browse Title Index


 
Issue Title
 
Vol 4, No 1 (2014): Popular Music Performance The Touring Musician: Repetition and Authenticity in Performance Abstract   PDF
Daniel Robert McKinna
 
Vol 1, No 2 (2010) The Traitor and the Stowaway: Persona Construction and the Quest for Cultural Anonymity and Cultural Relevance in the Trajectories of Bob Dylan and Leonard Cohen
doi:10.5429/2079-3871(2010)v1i2.6en
Abstract   PDF
Christophe Lebold
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording Time-based Signal Processing and 'Shape' in Alternative Rock Recordings Abstract   PDF
Samantha Bennett
 
Vol 1, No 1 (2010) Towards streamlined broadcasting. The Changing Music Cultures of 1990s Finnish Commercial Radio.
doi:10.5429/2079-3871(2010)v1i1.8en
Abstract   PDF
Heikki Uimonen
 
Vol 4, No 2 (2014): Music Journalism Trad Dads, Dirty Boppers and Free Fusioneers, British Jazz 1960-1975 Abstract   PDF
Katherine Ann Williams
 
Vol 5, No 2 (2015): Transnational Issue Travelling Songs: On Popular Music Transfer and Translation Abstract   PDF
Isabelle Marc
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Turkey and the Copyleft Music Production: Reflections on Bandista Abstract   PDF
Ilkin Mehrabov
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Twenty First Century Popular Music Studies Abstract   PDF
Rupert Till
 
Vol 8, No 1 (2018): Gender Politics in the Music Industry Urban Women Week: Promoting Women on the Senegalese Rap Scene Abstract   PDF
Cécile Navarro
 
Vol 4, No 1 (2014): Popular Music Performance Vinyl: A History of the Analogue Record Abstract   PDF
Andrew Whelan
 
Vol 4, No 2 (2014): Music Journalism Vladimir Vysotskij e le Sue Canzoni: Note Sulla Ricezione Italiana Abstract   PDF
Carlo Bianchi
 
Vol 1, No 1 (2010) Vocal pop pleasures. Theoretical, analytical and empirical approaches to voice and singing in popular music
doi:10.5429/2079-3871(2010)v1i1.7en
Abstract   PDF
Martin Pfleiderer
 
Vol 1, No 2 (2010) "Vorrei trovar parole nuove" - Il neologismo “cantautore” e l'ideologia dei generi musicali nella canzone italiana degli anni Sessanta
doi:10.5429/2079-3871(2010)v1i2.11it
Abstract   PDF
Jacopo Tomatis
 
Calls & Style Guide Wanted: New Editors Abstract   PDF
IJ Editor
 
Vol 1, No 2 (2010) Who Sells Out?: Petra Haden in the Age of Mechanical Reproduction
doi:10.5429/2079-3871(2010)v1i2.7en
Abstract   PDF
Marianne Tatom Letts
 
Vol 4, No 1 (2014): Popular Music Performance Women Make Noise: Girl Bands From Motown to the Modern Abstract   PDF
Kathryn Rose Hill
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century You Say Invisible, I Say Ubiquitous: A (Formally Former) Student’s Response to Philip Tagg’s ‘Caught on the Back Foot: Epistemic Inertia and Visible Music’. Abstract   PDF
Anahid Kassabian
 
Vol 1, No 1 (2010) `Guardate qui, mucchio di casinari da cantina': Bob Dylan al lavoro sottoterra
doi:10.5429/2079-3871(2010)v1i1.2it
Abstract   PDF
Alessandro Bratus
 
Vol 1, No 1 (2010) `Look here, you bunch of basement noise': Bob Dylan plays underground
http://dx.doi.org/10.5429/2079-3871(2010)v1i1.2en
Abstract   PDF
Alessandro Bratus
 
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